The timeline for the story spans over two years and each scene was very different requiring very different costumes. We had to cater for a Christmas scene, a winter ball, an ice-skating trip, about to go travelling or just back from travelling, summer outfits, wedding outfits and the transition from childhood to adulthood for the young characters. Most of the cast had several different outfits for the Show.

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From the 1880s, when the traditional costume had gone out of general use, selected elements of it became adopted as a National Costume. From then on it was worn by women at events such as Royal visits, by choirs, at church and chapel, for photographs and occasionally at eisteddfodau. It was first worn by girls as a celebration on Saint David's Day just before the First World War. The costume is now recognised as the national dress of Wales.[2]

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Issey Miyake is most known for crossing boundaries in fashion and reinventing forms of clothing while simultaneously transmitting the traditional qualities of the culture into his work. He has explored various techniques in design, provoking discussion on what identifies as "dress". He has also been tagged the "Picasso of Fashion" due to his recurring confrontation of traditional values. Miyake found interest in working with dancers to create clothing that would best suit them and their aerobic movements, eventually replacing the models he initially worked with for dancers, in hopes of producing clothing that benefits people of all classifications.[3] His use of pleats and polyester jersey reflected a modern form of fashion due to their practical comfort and elasticity. Over 10 years of Miyake's work was featured in Paris in 1998 at the "Issey Miyake: Making Things" exhibition. His two most popular series was titled, "Pleats, Please" and "A-POC (A piece of Cloth)".
Make the Costume: Cut a quilt into a trapezoid shape; sew a corresponding color bias tape around the edges to finish. At the top corner of the trapezoid, sew a correspond- ing color ribbon for ties. Use a scrap of the quilt to cut out an oversize letter “Q” and blanket stitch it to the front of a T-shirt. Blanket stitch around the edges of a felt superhero mask and round out the look with a tailor tape measure bracelet adorned with sewing charms. Glue a metal thimble to a silver ring blank to create a superpower ring.
Kimono are traditionally made from a single bolt of fabric called a tanmono.[7] Tanmono come in standard dimensions, and the entire bolt is used to make one kimono.[7] The finished kimono consists of four main strips of fabric — two panels covering the body and two panels forming the sleeves — with additional smaller strips forming the narrow front panels and collar.[14] Kimono fabrics are frequently hand-made and -decorated.
From the 1880s both old and modern versions of the costume were worn by performers at concerts and eisteddfodau, by stall holders at fund raising events and for Royal visits. The numbers of women who wore Welsh costume in this way was always small but its use was remarkable enough to mention in reports of such events. Some of those who wore it may have been the younger members of the new middle-class families who could afford the money to buy the costumes and the time to attend such events. Although there was only a little encouragement to wear costumes at these events, those few who did were often spoken of with pride.[9]

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