From at least the 16th century, the festival included mumming and guising, which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food. It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them. It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune". F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire. In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune. In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed. In parts of Wales, men went about dressed as fearsome beings called gwrachod, while in some places, young people cross-dressed. Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers". It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century. At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead, or in return for saying prayers for them. One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them". The soulers typically asked for "mercy on all Christian souls for a soul cake". The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593). Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities". In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead. Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today. Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration. An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.
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The ancient world harbors plenty of inspiration for a sexy look! Just take ancient Rome and Greece. When you put a modern spin on all the epic legends of Goddesses and warriors, you can create some pretty amazing styles. All you have to do is decide whether you want to be Venus, Goddess of Love, or a deadly Spartan warrior, ready for battle with one of our Greek costumes!
In Japan, modern fashion history might be conceived as the very gradual westernization of Japanese clothes. The woolen and worsted industries were completely a product of Japan's re-established contact with the West in the 1850s and 1860s. Before the 1860s, Japanese clothing consisted entirely of a great variety of kimono. These first appeared in the Jōmon period (14,500 B.C. – 300 B.C.), with no distinction between male and female.
What was the most popular Halloween costume in 2018
Up until the fifteenth century kimono were made of hemp or linen, and they were made with multiple layers of materials. Today, kimono can be made of silk, silk brocade, silk crepes (such as chirimen) and satin weaves (such as rinzu). Modern kimono that are made with less-expensive easy-care fabrics such as rayon, cotton sateen, cotton, polyester and other synthetic fibers, are more widely worn today in Japan. However, silk is still considered the ideal fabric for more formal kimono.
In 2009 the company’s ‘Solar Bag’, which featured solar panels which charged a battery concealed in the lining able to supply power to mobile phones, iPods and other digital accessories, received the “Chi é Chi Award” for the best eco-friendly fashion product. In 2008 Ennio Capasa designed a limited edition t-shirt to support the Climate Project, an Al Gore initiative. To celebrate Christmas 2008 Costume National collaborated with Planete Urgence, an organization dedicated to environmental and social change, in a ‘Plant a Tree’ project.
As time passed, new approaches to the costume were brought up, but the original mindset of a covered body lingered. The new trend of tattoos competed with the social concept of hidden skin and led to differences in opinion among the Japanese community and their social values. The dress code that was once followed on a daily basis reconstructed into a festive and occasional trend.