The wearing of costumes is an important part of holidays developed from religious festivals such as Mardi Gras (in the lead up to Easter), and Halloween (related to All Hallow's Eve). Mardi Gras costumes usually take the form of jesters and other fantasy characters; Halloween costumes traditionally take the form of supernatural creatures such as ghosts, vampires, pop-culture icons and angels. In modern times. Christmas costumes typically portray characters such as Santa Claus (developed from Saint Nicholas). In Australia, the United Kingdom and the United States the American version of a Santa suit and beard is popular; in the Netherlands, the costume of Zwarte Piet is customary. Easter costumes are associated with the Easter Bunny or other animal costumes.
"Costume" often refers to a particular style of clothing worn to portray the wearer as a character or type of character at a social event in a theatrical performance on the stage or in film or television. In combination with other aspects of stagecraft, theatrical costumes can help actors portray characters' and their contexts as well as communicate information about the historical period/era, geographic location and time of day, season or weather of the theatrical performance. Some stylized theatrical costumes, such as Harlequin and Pantaloon in the Commedia dell'arte, exaggerate an aspect of a character.
The custom of guising at Halloween in North America is first recorded in 1911, where a newspaper in Kingston, Ontario reported children going "guising" around the neighborhood. In 19th century America, Halloween was often celebrated with costume parades and "licentious revelries". However, efforts were made to "domesticate" the festival to conform with Victorian era morality. Halloween was made into a private rather than public holiday, celebrations involving liquor and sensuality de-emphasized, and only children were expected to celebrate the festival. Early Halloween costumes emphasized the gothic nature of Halloween, and were aimed primarily at children. Costumes were also made at home, or using items (such as make-up) which could be purchased and utilized to create a costume. But in the 1930s, A.S. Fishbach, Ben Cooper, Inc., and other firms began mass-producing Halloween costumes for sale in stores as trick-or-treating became popular in North America. Halloween costumes are often designed to imitate supernatural and scary beings. Costumes are traditionally those of monsters such as vampires, werewolves, zombies, ghosts, skeletons, witches, goblins, trolls, devils, etc. or in more recent years such science fiction-inspired characters as aliens and superheroes. There are also costumes of pop culture figures like presidents, athletes, celebrities, or characters in film, television, literature, etc. Another popular trend is for women (and in some cases, men) to use Halloween as an excuse to wear sexy or revealing costumes, showing off more skin than would be socially acceptable otherwise. Young girls also often dress as entirely non-scary characters at Halloween, including princesses, fairies, angels, cute animals and flowers.
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^ Hörandner, Editha (2005). Halloween in der Steiermark und anderswo. LIT Verlag Münster. p. 99. ISBN 9783825888893. On the other hand the postmodern phenomenon of "antifashion" is also to be found in some Halloween costumes. Black and orange are a 'must' with many costumes. Halloween - like the medieval danse macabre - is closely connected with superstitions and it might be a way of dealing with death in a playful way.
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If there is one thing that we can never let go of, it's our love for the Frozen family. The best part is that this quartet makes finding group costumes for 4 easy, thanks to bringing Olaf along for the fun! While Anna and Elsa sing their songs, you know that Kristoff is always ready to save the day...and it doesn't hurt to let this hero belt out a sweet '80s power ballad, either!
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^ Cleene, Marcel. Compendium of Symbolic and Ritual Plants in Europe. Man & Culture, 2002. p.108. Quote: "Soul cakes were small cakes baked as food for the deceased or offered for the salvation of their souls. They were therefore offered at funerals and feasts of the dead, laid on graves, or given to the poor as representatives of the dead. The baking of these soul cakes is a universal practice".
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Halloween's breakout album Tricks, Treats and Other Tales From The Crypt was recorded in 2002 with what has come to be known as the Halloween 4.0 lineup. The 4th iteration of the band featured founding vocalist Brian Thomas, Axe Slayer Donny Allen, Jason "JDawg" Rossvanes on drums, Tommy Vendetta Guitar and John "Sixpac" Guarascio on Bass. The lineup was actually not originally intended to be Halloween, but unbelievable fan support for Halloween almost forced their hand. The band worked tirelessly to record a mix of classic Halloween "hits" and a handful of new/unrecorded tracks. The band played several shows stateside before being signed to headline the Keep It True Festival in Germany. It was during this era that the band finally made a run for Europe. The band had amassed a large cult following in Europe, but never had a lineup or management to get the ball rolling. The great success and European media blitz that followed the release of Trick, Treats, and Other Tales From The Crypt is what propelled Halloween into the spotlight it still enjoys today. Though short lived, "Halloween 4.0" is undoubtedly the incarnation that got Halloween out of Detroit. Following the departure of several members the band recorded a live demo in Detroit in February 2004 titled Not Dead... In The Murder City.
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Some group costumes can be tough to put together because they nearly require the right number of folks. Fortunately, the crew of the Mystery Machine has solved this problem, too! Team up as the Scooby Squad, since they're always splitting up in teams. While Scooby and Shaggy are off getting into trouble, Velma, Fred, and Daphne are great for a group of 3 Halloween costumes! When it's time to finish the episode, bring everyone together and unmask that ghost!