In Bhutan there is a traditional national dress prescribed for men and women, including the monarchy. These have been in vogue for thousands of years and have developed into a distinctive dress style. The dress worn by men is known as Gho which is a robe worn up to knee-length and is fastened at the waist by a band called the Kera. The front part of the dress which is formed like a pouch, in olden days was used to hold baskets of food and short dagger, but now it is used to keep cell phone, purse and the betel nut called Doma. The dress worn by women consist of three pieces known as Kira, Tego and Wonju. The long dress which extends up to the ankle is Kira. The jacket worn above this is Tego which is provided with Wonju, the inner jacket. However, while visiting the Dzong or monastery a long scarf or stoll, called Kabney is worn by men across the shoulder, in colours appropriate to their ranks. Women also wear scarfs or stolls called Rachus, made of raw silk with embroidery, over their shoulder but not indicative of their rank.[6]

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^ Lipton, Eric (April 9, 2008). "Official Had Controversial Photos Deleted, Report Says". New York Times. Retrieved 2008-04-09."The staff member who won the “most original costume” prize wore a dreadlock wig, what looked like a prison jumpsuit and black face paint. “I’m a Jamaican detainee from Krome — obviously, I’ve escaped,” the employee, referring to a detention center in Miami, announced to the judges..."

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Nothing will take the wind out of your sails like a costume party when you don't have an idea. Of course, when you've got an inflatable costume, you're ready and raring to go with the flip of a switch. Bring the whole family along for this windy ride and breathe life into these hulking beasts. Are you all living a Godzilla movie with giant dinosaurs and King Kong ready to go all out? We’re here to help. And when you’re done? Well, fear not. Turn that switch off and your group costumes are ready to store away for next time.
There are so many group costume ideas for the 2019 Halloween season, it's hard to keep up. However, if you're looking to dress in something easy, homemade, funny, and cute, then you've come to the right place. Creativity is what All Hallows' Eve is about, and these one-of-a-kind outfit options simply can't be replicated. Not only will everyone admire your innovative design skills, but they'll also get a chuckle out of your punny ways. Above all, these are much more cost-efficient than your Halloween shop down the street. If you're out of ideas, then check out these cool Halloween group costumes ahead!

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^ Cleene, Marcel. Compendium of Symbolic and Ritual Plants in Europe. Man & Culture, 2002. p.108. Quote: "Soul cakes were small cakes baked as food for the deceased or offered for the salvation of their souls. They were therefore offered at funerals and feasts of the dead, laid on graves, or given to the poor as representatives of the dead. The baking of these soul cakes is a universal practice".

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From at least the 16th century,[5] the festival included mumming and guising,[6] which involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food.[6] It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf. Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them.[7] It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[8] F. Marian McNeill suggests the ancient pagan festival included people wearing masks or costumes to represent the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire.[5] In parts of southern Ireland, a man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses—some of which had pagan overtones—in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[9] In 19th century Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed.[6] In parts of Wales, men went about dressed as fearsome beings called gwrachod,[6] while in some places, young people cross-dressed.[6] Elsewhere in Europe, mumming and costumes were part of other yearly festivals. However, in the Celtic-speaking regions they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[6] It has also been suggested that the wearing of Halloween costumes developed from the custom of souling, which was practised by Christians in parts of Western Europe from at least the 15th century.[10][11] At Allhallowtide, groups of poor people would go door-to-door, collecting soul cakes – either as representatives of the dead,[12] or in return for saying prayers for them.[13] One 19th century English writer said it "used to consist of parties of children, dressed up in fantastic costume, who went round to the farm houses and cottages, signing a song, and begging for cakes (spoken of as "Soal-cakes"), apples, money, or anything that the goodwives would give them".[14] The soulers typically asked for "mercy on all Christian souls for a soul cake".[15] The practice was mentioned by Shakespeare his play The Two Gentlemen of Verona (1593).[16][17] Christian minister Prince Sorie Conteh wrote on the wearing of costumes: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognised by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities".[18] In the Middle Ages, statues and relics of martyred saints were paraded through the streets at Allhallowtide. Some churches who could not afford these things had people dress as saints instead.[19][20] Some believers continue the practice of dressing as saints, biblical figures, and reformers in Halloween celebrations today.[21] Many Christians in continental Europe, especially in France, believed that on Halloween "the dead of the churchyards rose for one wild, hideous carnival," known as the danse macabre, which has often been depicted in church decoration.[22] An article published by Christianity Today claimed the danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and suggested this was the origin of Halloween costume parties.[23][24]

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Halloween's breakout album Tricks, Treats and Other Tales From The Crypt was recorded in 2002 with what has come to be known as the Halloween 4.0 lineup. The 4th iteration of the band featured founding vocalist Brian Thomas, Axe Slayer Donny Allen, Jason "JDawg" Rossvanes on drums, Tommy Vendetta Guitar and John "Sixpac" Guarascio on Bass. The lineup was actually not originally intended to be Halloween, but unbelievable fan support for Halloween almost forced their hand. The band worked tirelessly to record a mix of classic Halloween "hits" and a handful of new/unrecorded tracks. The band played several shows stateside before being signed to headline the Keep It True Festival in Germany. It was during this era that the band finally made a run for Europe. The band had amassed a large cult following in Europe, but never had a lineup or management to get the ball rolling. The great success and European media blitz that followed the release of Trick, Treats, and Other Tales From The Crypt is what propelled Halloween into the spotlight it still enjoys today. Though short lived, "Halloween 4.0" is undoubtedly the incarnation that got Halloween out of Detroit. Following the departure of several members the band recorded a live demo in Detroit in February 2004 titled Not Dead... In The Murder City.

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"Costume" often refers to a particular style of clothing worn to portray the wearer as a character or type of character at a social event in a theatrical performance on the stage or in film or television. In combination with other aspects of stagecraft, theatrical costumes can help actors portray characters' and their contexts as well as communicate information about the historical period/era, geographic location and time of day, season or weather of the theatrical performance. Some stylized theatrical costumes, such as Harlequin and Pantaloon in the Commedia dell'arte, exaggerate an aspect of a character.
Cosplay, a word of Japanese origin that in English is short for "costume display" or "costume play", is a performance art in which participants wear costumes and accessories to represent a specific character or idea that is usually always identified with a unique name (as opposed to a generic word). These costume wearers often interact to create a subculture centered on role play, so they can be seen most often in play groups, or at a gathering or convention. A significant number of these costumes are homemade and unique, and depend on the character, idea, or object the costume wearer is attempting to imitate or represent. The costumes themselves are often artistically judged to how well they represent the subject or object that the costume wearer is attempting to contrive.

In 1988, members Rick Craig and Bill Whyte left to pursue other careers. In 2000, Craig was asked to join Charlie Huhn and the British band Humble Pie with Jerry Shirley to go on a U.S Tour. He also at the time was playing in the band NOON, in which he and Ean Evans were the primary songwriters. Their replacements were future Godsmack drummer Tommy Stewart and guitarist Billy Gray, who would go on to play in the Ann Arbor/Ypsilanti-based rock band Fair Game (not to be confused with the band led by former Keel vocalist Ron Keel). Bill whyte went on to open his own recording studio and later (in 2003) joined Detroit based band Abandon and released a 5-song EP called "Project unrealty" which was Recorded, produced and engineered by Bill whyte. The band and EP got great reviews but Bill's time with the band was short-lived.

What should I be for Halloween men

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